St Mark's Anglican Church stands on a hill in District Six. Built of stone in 1867, the church has served Anglicans of that community since then until the present day. Even when under the Apartheid government’s Group Areas Act some 40,000 District Six residents were relocated to the Cape Flats, and their homes demolished, they still travelled to St Mark’s each Sunday, rejecting the government’s offer to rebuild their church locally. Today, people still travel from Kuils River, Bellville, Mitchell’s Plain and Athlone to maintain that undertaking. In St Mark’s the spirit of the District Six community lives on.

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All my works are available as high quality prints on non-archival paper or on stretched canvas.
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The Gardens Shul, the Cape Town Hebrew Congregation, was established 1841 and is the oldest congregation in South Africa. Built in 1862 the structure may be the oldest synagogue building in the country. Situated in Paddock Avenue in the Gardens area of central Cape Town, the building has the appearance of a temple with a stone frontage comprising a heavy colonnade of Egyptian-style columns which bear an unusual combination of decorative Greek and Egyptian motifs.

Today the building forms the entrance to the Jewish Museum. In 1941 the centenary year of the Cape Town Hebrew Congregation, a society to establish a Jewish Museum and Archives was founded in Cape Town. Its main object was to collect and preserve articles and documents, illustrating the history of the Jewish community in South Africa, but the project made slow progress, and it was not until August 1958 that the museum was opened officially.

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All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
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The Lutheran Church in Strand Street in Cape Town is the oldest church building in South Africa, dating back to 1792. It was declared a National Monument in 1949.
It is one of a unique group of eighteenth century buildings, the others being Martin Melck House and Sexton's House. These buildings are of particular historical importance as they symbolise the long drawn-out struggle of the Lutherans for the right to practice their religion.

When the Dutch first settled at the Cape in 1652, the Dutch East India Company limited the colonist's freedom of worship to the Dutch Reformed faith. However, for many years Lutheran worship was held in a hall, erected by a wealthy merchant, Martin Melck. The building was officially described as a warehouse. However, although the colonial administrators were aware of the actual use of the building, they chose to turn a blind eye.

In 1776 the hall was transferred to the congregation by Martin Melck. It already contained an organ, a communion chalice and a lectern in the form of a swan with outstretched wings: the symbol of Lutheranism. Another swan was proudly displayed above the entrance.

In 1779, following a number of petitions from German, Danish and Scandinavian officials in the Cape, the Company relented and decided to grant the Lutherans the right to form their own church. In the following year, Andreas Kolver of Rotterdam became the first Pastor. During the next four years considerable improvements were made to the hall, but it was mainly during the years 1787 to 1792 that the building was transformed and beautified. This was done by the leading Cape sculptor of the time, Anton Anreith. He designed the front elevation, but his main contribution was the decoration of the interior by his excellent wood carvings. The most important of these works were the magnificent pulpit supported by two great male figures and the choir-stalls with a carving of King David in high relief.

In 1818 the church had to be rebuilt to a considerable extent because of the poor condition of the walls and the roof. At this time a spire was built, but unfortunately there were deviations from Anreith's design which robbed the facade and entrance of much of their former beauty. There have been few alterations to the church since. The spire with its belfry rises almost from street level, while the original old railings offer brave resistance to the encroachment of the city. The same slate path which so many churchgoers have used over the years still leads from the gate to the paved entrance porch. Inside, the sense of devotion is enhanced by Anreith's incomparable pulpit, the historic old pews, the lovely copper basins and font. Here the Church Archives and the valuable communion plate are also preserved.

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All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
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​The quiet town of Oudtshoorn lies between the majestic mountains of the Klein Karoo. In winter, snow covers the nearby mountain peaks and in summer temperatures sizzle. Its dry, extreme climate has much to do with the town’s success, where once ostrich farmers bathed in brandy and papered their walls in pound notes, when Oudtshoorn became known as the ostrich capital of the world.

It began when ostrich feathers became a major European and British fashion accessory in the mid-1800s. Oudtshoorn farmers were quick to realise that the Karoo environment was ideal to raise ostriches and began ripping up their agricultural fields and domesticating wild birds. Breeding pairs of birds thrived and farmers pocketed up to R200 per kilogram for their feathers, an astonishing amount in 1884.

Although the demand for ostrich feathers has drastically decreased, their skins are now used to produce high-end fashion accessories. Ostrich meat has become a popular alternative to beef or lamb. As a result, Oudtshoorn continues as an active ostrich farming town, boasting the largest number of ostriches in the world.

​​All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
Place your order
by phone / whatsapp on +27 79 247 7532
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The Victorian Gothic-style Clock Tower is an icon of the old Cape Town harbour. Built in 1882, it was the original Port Captain's Office. The clock, imported from Edinburgh and surrounded by gothic-style windows is the main feature. On the ground floor is a tidal gauge mechanism, used to check the level of the tide for ships entering or leaving the docks and on the second floor there is a decorative mirror room which allowed the captain an overall view of harbour activities. 

The tower was a focal point in the Victoria & Alfred Waterfront's urban renewal programme, since when it has become South Africa’s most-visited destination.

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​All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
Place your order
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The grey crowned crane is about 1 m (3.3 ft) tall, weighs 3.5 kg (7.7 lbs), and has a wingspan of 2 m (6.5 ft). Its body plumage is mainly grey. The wings are predominantly white, but contain feathers with a range of colours, with a distinctive black patch at the very top. The head has a crown of stiff golden feathers. The sides of the face are white, and there is a bright red inflatable throat pouch. The bill is relatively short and grey, and the legs are black. They have long legs for wading through the grasses. The feet are large, yet slender, adapted for balance rather than defence or grasping. The sexes are similar, although males tend to be slightly larger. Young birds are greyer than adults, with a feathered buff face.
​They are found in Eastern and Southern Africa.
​
All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
Place your order
by phone on +27 79 247 7532
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contact me in the comments box below or inbox me on Facebook: Solly Gutman Scratchboard Art

Other prints and a range of lifestyle products are available from Fine Art America - worldwide shipping available.

The quiet town of Oudtshoorn lies between the majestic mountains of the Klein Karoo. In winter, snow covers the nearby mountain peaks and in summer temperatures sizzle. Its dry, extreme climate has much to do with the town’s success, where once ostrich farmers bathed in brandy and papered their walls in pound notes, when Oudtshoorn became known as the ostrich capital of the world.

It began when ostrich feathers became a major European and British fashion accessory in the mid-1800s. Oudtshoorn farmers were quick to realise that the Karoo environment was ideal to raise ostriches and began ripping up their agricultural fields and domesticating wild birds. Breeding pairs of birds thrived and farmers pocketed up to R200 per kilogram for their feathers, an astonishing amount in 1884.

Although the demand for ostrich feathers has drastically decreased, their skins are now used to produce high-end fashion accessories. Ostrich meat has become a popular alternative to beef or lamb. As a result, Oudtshoorn continues as an active ostrich farming town, boasting the largest number of ostriches in the world.


All my works are available as high quality prints on non-archival paper or on stretched canvas.
Visit the online gallery here to view my available work.
​
Place your order
by phone on +27 79 247 7532
by email to gutmansolly@gmail.com
contact me in the comments box below or inbox me on Facebook: Solly Gutman Scratchboard Art

Other prints and a range of lifestyle products are available from Fine Art America - worldwide shipping available.​